Game Call Hunting in Tokachi in Pursuit of Yezo Deer
YAYOI ARIMOTO + NOZOMU ONODERA
ARTIST
YAYOI ARIMOTO + NOZOMU ONODERA
Game Call Hunting in Tokachi in Pursuit of Yezo Deer
UPDATE:2021.2.12
I arrived in the Tokachi region of Hokkaido in autumn. Upon learning that Onodera would go on a game call hunt in Tokachi together with local hunters and Maya Endo, who is also a hunter and Onodera’s disciple, I decided to follow and take pictures. The deer that inhabit Hokkaido are Yezo deer, a different type from the ones that Onodera usually hunts on the Oshika Peninsula. Their appearance as well as size are entirely different. Their meat qualities must also be different. Above all, I was surprised and overwhelmed by the difference in the scale of the land in Hokkaido. Whether it’s on flat land or in a valley, I couldn’t move around with the sense of scale that I had acquired on the Oshika Peninsula. What this means is that we have to reset our sense of scale if we are to hunt prey.
I could capture up-close Onodera hunting deer for three days. Usually, Onodera would immediately hit a vital spot of the deer he was going after, but there were several occasions in Tokachi where he missed his prey at the very end. Observing him, even I, as an amateur, strongly felt the importance of getting used to the hunting ground.
Whenever he missed the deer that could be sensed nearby, I found myself disappointed and feeling an unexpected emotional reaction. When the prey that I detect with my eye and ear manages to escape, I feel so frustrated that I’m not satisfied until it is caught. I wonder if this is how the psychology of animals function. It was very interesting to observe my own physical and psychological reactions during the course of the hunting activities.
After slowly entering a thicket of bamboo trees as tall as him, and taking up a position overlooking the sloping valley, Onodera blew a deer whistle. He imitated the sound of a stag call. After about fifteen minutes of holding his breath and waiting in the bush so as not to make a noise or stand out, Onodera held his gun for a moment. Although I had no idea of the deer’s whereabouts, a male deer was apparently approaching us very closely. The deer, however, noticed us before we did, instantly leaving the area with just a slight sound and a rustle of the bamboo leaves. We stuck around for a while, changing locations several times but couldn’t catch any deer.
The next day, Onodera blew a deer whistle a few times in the plains and in the mountains, but didn’t have any luck with encountering the big stag he was hunting. While it was also partly a question of the season, I thought that I must not forget that, even in Tokachi, it’s not Onodera’s style to catch as many deer as possible every day.
YAYOI ARIMOTO + NOZOMU ONODERA
在本彌生+小野寺望
ARTIST
YAYOI ARIMOTO + NOZOMU ONODERA
Joining an Autumn Game Call Hunt on the Oshika Peninsula
UPDATE:2021.1.6
When I followed and took pictures of Onodera hunting deer last year (2019), it was from the end of spring through the summer. To avoid injuries and leeches, I put duct tape on my boots and pants, and wrapped my neck with a thin hand towel so as not to leave skin exposed. Walking in the mountains in this outfit meant it was quite hot. That leeches nevertheless managed to sneak in from somewhere and bit my stomach, and my shock at how much blood there was on my body were valuable experiences of deer hunting. This year (2020), I joined Onodera in a different season to take pictures of him hunting with a game call, a style used only during a certain period in autumn that corresponds to the deer breeding season. … VIEW
ARTIST
YAYOI ARIMOTO + NOZOMU ONODERA
Game Call Hunting in Tokachi in Pursuit of Yezo Deer
UPDATE:2021.2.12
I arrived in the Tokachi region of Hokkaido in autumn. Upon learning that Onodera would go on a game call hunt in Tokachi together with local hunters and Maya Endo, who is also a hunter and Onodera’s disciple, I decided to follow and take pictures. … VIEW
ARTIST
YAYOI ARIMOTO + NOZOMU ONODERA
Autumn Game Call Hunting and Chefs Who Transform Deer Meat.
Part 1 : Yasuhiko Kusuda (Chef, Metzgerei Kusuda)
UPDATE:2021.3.11
An event to learn about deer was held at MEMU EARTH HOTEL in Tokachi, Hokkaido. In the previous article, I wrote about Onodera’s hunting in the field, but this article deals with the chef Kusuda, who gave a lecture on venison and meat processing at the event. … VIEW
ARTIST
YAYOI ARIMOTO + NOZOMU ONODERA
Autumn Game Call Hunting and Chefs Who Transform Deer Meat.
Part 2 : Kazuki Ishimatsu (Chef, Maruta)
UPDATE:2021.3.26
Maruta is located in a quiet residential area in Chofu, Tokyo. Although the building is far from small, it looks like a stylish house and fits nicely into the local landscape. Behind the restaurant is a spacious vegetable garden, and the vegetables as well as herbs grown there are used in Murata’s cooking. … VIEW
ARTIST
YAYOI ARIMOTO + NOZOMU ONODERA
Autumn Game Call Hunting and Chefs Who Transform Deer Meat.
Part 3 : Hisayuki Ito (Chef, Vin et cuisine Hihihi)
UPDATE:2021.3.26
Restaurant chefs working in Miyagi Prefecture often gather at FERMENTO, a facility in Kozumi for butchering hunted deer and processing the venison, to learn and deepen their knowledge about the current state of mountain ecosystems on the Oshika Peninsula. … VIEW
Receiving Blood
ARTIST:YUSUKE ASAI
ARTIST:
YUSUKE ASAI
Going into the Forest Again
UPDATE:2021.3.29
From here, I present some of the works that I have made without any verbal explanations.I hope that someday you can view these in person, works transformed from what I received from the deer.VIEW
MAKE A BIOTOPE VOL.3
ARTIST:LIEKO SHIGA
ARTIST:
LIEKO SHIGA
Growing Food
UPDATE:2021.3.28
Signs of spring finally arrived on the Oshika Peninsula in March 2021, four months after we began work on digging a biotope pond in November 2020. During the long winter, the biotope’s water level fluctuated due to spring water and snow. ...VIEW
Joining an Autumn Game Call Hunt on the Oshika Peninsula
ARTIST:YAYOI ARIMOTO + NOZOMU ONODERA
ARTIST:
YAYOI ARIMOTO + NOZOMU ONODERA
Autumn Game Call Hunting and Chefs Who Transform Deer Meat.
Part 3 : Hisayuki Ito (Chef, Vin et cuisine Hihihi)
UPDATE:2021.3.26
Restaurant chefs working in Miyagi Prefecture often gather at FERMENTO, a facility in Kozumi for butchering hunted deer and processing the venison, to learn and deepen their knowledge about the current state of mountain ecosystems on the Oshika Peninsula. ...VIEW
Joining an Autumn Game Call Hunt on the Oshika Peninsula
ARTIST:YAYOI ARIMOTO + NOZOMU ONODERA
ARTIST:
YAYOI ARIMOTO + NOZOMU ONODERA
Autumn Game Call Hunting and Chefs Who Transform Deer Meat.
Part 2 : Kazuki Ishimatsu (Chef, Maruta)
UPDATE:2021.3.26
Maruta is located in a quiet residential area in Chofu, Tokyo. Although the building is far from small, it looks like a stylish house and fits nicely into the local landscape. Behind the restaurant is a spacious vegetable garden, and the vegetables as well as herbs grown there are used in Murata’s cooking. ...VIEW
Joining an Autumn Game Call Hunt on the Oshika Peninsula
ARTIST:YAYOI ARIMOTO + NOZOMU ONODERA
ARTIST:
YAYOI ARIMOTO + NOZOMU ONODERA
Autumn Game Call Hunting and Chefs Who Transform Deer Meat.
Part 1 : Yasuhiko Kusuda (Chef, Metzgerei Kusuda)
UPDATE:2021.3.11
An event to learn about deer was held at MEMU EARTH HOTEL in Tokachi, Hokkaido. In the previous article, I wrote about Onodera’s hunting in the field, but this article deals with the chef Kusuda, who gave a lecture on venison and meat processing at the event. … ...VIEW
The Story of What Comes After Something
ARTIST:YUMIKO HORIBA
ARTIST:
YUMIKO HORIBA
The Story of What Comes After Something
〜That Catches the Wind #3〜
UPDATE : 2021.3.9
Since a few years ago, I have been visiting and observing the winter migration routes of birds while collecting their feathers to use for my work. ... ...VIEW
Cocoon
ARTIST:Daizaburo Sakamoto + Yuko Okubo
ARTIST:
Daizaburo Sakamoto + Yuko Okubo
Cocoon
UPDATE:2021.3.8
A long time ago, there were people who crossed the sea to the Japanese archipelago. They went deep into the mountains in search of metal, and mountain worship was born there. ...VIEW
Eventually, Deer Become Men / Eventually, Men Become Deer
ARTIST:NAO TSUDA
ARTIST:
NAO TSUDA
Eventually, Deer Become Men / Eventually, Men Become Deer
UPDATE:2021.3.5
For this year’s festival, as a follow-up to the previous work, I present photographs and text that I have woven together while traveling in Tohoku over the two years in an attempt to unravel the work title. ...VIEW
MAKE A BIOTOPE VOL.2
ARTIST:LIEKO SHIGA
ARTIST:
LIEKO SHIGA
DIALOG IN THE FOG
UPDATE:2021.2.16
This is an interview with Nozomu Onodera, a hunter who runs FERMENTO, a facility that butchers hunted deer and processes its meat on the Oshika Peninsula in Miyagi Prefecture. ...VIEW
The Story of What Comes After Something
ARTIST:YUMIKO HORIBA
ARTIST:
YUMIKO HORIBA
The Story of What Comes After Something
〜That Catches the Wind #2〜
MOVIE : 7min 1sec / UPDATE : 2021.2.16
Since a few years ago, I have been visiting and observing the winter migration routes of birds while collecting their feathers to use for my work. ... ...VIEW
Receiving Blood
ARTIST:YUSUKE ASAI
ARTIST:
YUSUKE ASAI
1. Diary of That Day
UPDATE:2021.2.11
Meeting up on the Oshika Peninsula, Ishinomaki, at seven o’clock.Joining Onodera’s deer hunt and collecting about six plastic bottles of blood from wild deer. ...VIEW
Joining an Autumn Game Call Hunt on the Oshika Peninsula
ARTIST:YAYOI ARIMOTO + NOZOMU ONODERA
ARTIST:
YAYOI ARIMOTO + NOZOMU ONODERA
Game Call Hunting in Tokachi in Pursuit of Yezo Deer
UPDATE:2021.2.12
I arrived in the Tokachi region of Hokkaido in autumn. Upon learning that Onodera would go on a game call hunt in Tokachi together with local hunters and Maya Endo, who is also a hunter and Onodera’s disciple, I decided to follow and take pictures. ...VIEW
Receiving Blood
ARTIST:YUSUKE ASAI
ARTIST:
YUSUKE ASAI
Introduction: What Do I Paint With?
UPDATE:2021.1.29
When it comes to continuing to paint pictures, the question of “What do I paint?” is actually more relevant than the question of “What I paint?” ...VIEW
VOL.1 WHY BIOTOPE November 2020
ARTIST:LIEKO SHIGA
ARTIST:
LIEKO SHIGA
VOL.1 WHY BIOTOPE November 2020
UPDATE:2021.1.6
When I followed and took pictures of Onodera hunting deer last year (2019), it was from the end of spring through the summer. To avoid injuries and leeches, I put duct tape on my boots and pants, and wrapped my neck with a thin hand towel so as not to leave skin exposed. ...VIEW
The Story of What Comes After Something
ARTIST:YUMIKO HORIBA
ARTIST:
YUMIKO HORIBA
The Story of What Comes After Something
〜That Catches the Wind #1〜
UPDATE:2021.1.6
Post Humanism Stress Disorder, which was created as part of Reborn-Art Festival in the summer of 2019, is made with wood from Japanese cedar that died as a result of salt damage caused by the tsunami in the Great East Japan Earthquake, and that was going to be cut down and removed, as well as oyster shells designated as industrial waste. ...VIEW
I will become you someday (2019)
ARTIST:Daizaburo Sakamoto + Yuko Okubo
ARTIST:
Daizaburo Sakamoto + Yuko Okubo
I will become you someday (2019)
UPDATE:2021.1.6
This project by mountain ascetic Daizaburo Sakamoto and dancer Yuko Okubo endeavors to get closer to the beginnings of art and performance. ...VIEW
Joining an Autumn Game Call Hunt on the Oshika Peninsula
ARTIST:YAYOI ARIMOTO + NOZOMU ONODERA
ARTIST:
YAYOI ARIMOTO + NOZOMU ONODERA
Joining an Autumn Game Call Hunt on the Oshika Peninsula
UPDATE:2021.1.6
When I followed and took pictures of Onodera hunting deer last year (2019), it was from the end of spring through the summer. To avoid injuries and leeches, I put duct tape on my boots and pants, and wrapped my neck with a thin hand towel so as not to leave skin exposed. ...VIEW
OUTLINE
Reborn-Art Festival 2021-22
— Altruism and Fluidity —
【 Period 】
ONLINE : Jan 6 (Wed) 2021 -
SUMMER : Aug 11 (Wed/holi) 2021 - Sep 26(Sun) 2021
SPRING : Aip 23(Sat)2022 - Jun 5(Sun)2022
※ There will be a maintenance day during the session.
【 Venue 】
ー Summer ー
2021
Central Ishinomaki
Oshika peninsula(Momonoura、Oginohama、kozumihama、Ayukawa、and more...)
ー Spring ー
2022
Ishinomaki
【 Organizers 】
Reborn-Art Festival Executive Committee,
ap bank
【 Grants 】
the Agency for Cultural Affairs Government of Japan in the fiscal 2021
【 Translation 】
hanare × Social Kitchen Translation
【 Web direction 】
JUNYA KATO
(PARK GALLERY)